Trapped within their social roles, the artists and the princesses carry the kinetic potential “TO DO”, but suppressed by their social status, they share the destiny of the passive existence, remaining still, undetermined, timeless, just like the verbs in their infinitive form.

The emotionless representation of princesses within the white and hermetically cased triptych pictures-objects, symbolizes the acceptance of their own destiny and re-confirmation of their own existence through their own reflection in a mirror.